Related Paintings of unknow artist :. | litet finare noje | Hunting | Russov-Lev-Boy-and-Sea-rus13bw | The Last Judgement | Oil on canvas portrait of a seated w:William Pitt |
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Cristofano Gherardi
(November 25, 1508 - April 1556) was an Italian painter of the late-Renaissance or Mannerist period, active mainly in Florence and Tuscany. He was born in Borgo San Sepolcro and also called il Doceno dal Borgo. He was the pupil of the painter Raffaellino del Colle, in whose shop he encountered Rosso Fiorentino and Giorgio Vasari. He painted under Vasari's direction, the one assistant of Vasari's whom Sidney J. Freedberg singles out. In 1536 Vasari invited him to Florence to assist in producing the decorations for the ceremonial entry of Charles V into Florence. The following year, in the reaction after Duke Alessandro's death, Gherardi was among those banished from Florence, so his work for Vasari was confined to projects outside Florence, until his banishment was lifted in 1554 and he was permitted to return . In the long interval he had painted the Visitation of Mary to Elizabeth for the church of San Domenico in Citte di Castello, church decorations in San Sepolcro, and works for the Vitelli, who were long-term patrons. Gherardi, in the two years left to him, assisted Vasari in the Quartiere degli Elementi in Palazzo Vecchio. Vasari's main assistant after Gherardi's demise was Jan van der Straat, called Giovanni Stradano.
Bartolome Perez
(1634-1693) was a Spanish painter of the Baroque period. Born in Madrid, he became the son-in-law and pupil of the painter Juan de Arellano. Known as a painter of flowers and still life, known as bodegones. He also painted scenography for performances at the theater of Buen Retiro, for which he was named painter of the King without salary in January of 1689. He died after falling from a scaffold used to paint the ceiling of the palace of Monteleon, and was buried in the church of San Ildefonso.
Kristian Zahrtmann
(31 March 1843 - 22 June 1917) was a Danish painter. He was a part of the Danish artistic generation in the late 19th century, along with Peder Severin Krøyer and Theodor Esbern Philipsen, who broke away from both the strictures of traditional Academicism and the heritage of the Golden Age of Danish Painting, in favor of naturalism and realism. He was known especially for his history paintings, and especially those depicting strong, tragic, legendary women in Danish history. He also produced works of many other genres including landscapes, street scenes, folk scenes and portraits. He had a far-reaching effect on the development of Danish art through his effective support of individual style among his students during the many years he taught, and by his pioneering use of color.